get on down is a heavyweight slice of storming jamaican disco-reggae heat from the legendary studios of miami s tk disco empire. king sporty s version may not have been as well known as connie cases electro laden later 1982 version (also produced by sporty) but the perfect marriage of disco stylings and sports jamaican roots meant the original 1979 version was a cult classic in underground deep disco circles. over 35 years since get on down was released the keepers of the tk disco vaults have given permission for some of their classics and lesser known gems to be respectfully tweaked by contemporary producers and dj s who fully understand the lineage of the label and the music contained within. stepping up and get his hands dirty is none other than london dwelling, wolf music man medlar. a regular face behind the turntables all over the world medlar has lovingly freaked king sportys anthem for the modern dance-floor, extending the right parts in just the oh so right way, dubbing out parts that needed just a smidgen of echo here and there and generally making the track irresistible to dj s with its lovely long beat led intro. these are extremely tasteful edits, done with respect and reverence over 2 parts old school style. look out for those low flying dubbed out vox and lazer beams too, powerful stuff! this is only one of many underground disco classics that the mighty miami based tk disco label brought to the world, reimagined for 2016s dance-floor, officially sanctioned in conjunction with henry stone music / tk disco. file under - classic / essential!

one per customer ... the wonderful black ops sub label from the sleazybeats people wraps up, which has been a monumentally successful series by anyone s standards, with an ep from the notorious sample bandits, the popular peoples front over a decade after launching a distinctive series whose ambitions amounted to no less than condensing thirty years of black club music into a beautifully packaged, portable collage of sonic sample goodness, the sb crew tracked them down & appealed to their anarchic, nihilistic nature by offering them the final release on the label. the ppf project itself came to a close at release no. 10, so the synchronicity was strong for no other reason than a desire to celebrate dancefloor abandon and strive to soundtrack the purest forms of hedonism, ambiguous sexuality and a transcendent celebration of outsider culture, not to mention a green light to shamelessly exploit, steal and otherwise pilfer their source material, they said yes. after trying, with no small amount of success to transcend the basic edit through the ppf series, the band have again worked their collage approach into three truly magical cuts as always, this is a limited, vinyl only release. it will not be repressed and will not be released digitally. not now, not ever

2016 repress
for this inaugural release the french label bfdm introduces two young promising producers aka the pilotwings. agorespace is an excursion, a trip where dark and killer drums meet with some soft melodies and primitive percussion. trance beats is a wonky house track made up of hip-hop/jungle breaks and synthetic animal sounds, a powerful combination of tribal rhythm and creepy synths. on the same side comes cavernes magiques, a modern electronic tune where raw 707 jams gives way to trippy dance pads, 90s influences. on the other side a strong techno track contrasted with bright synths called cours-la-ville, a dark and long exploration.

avesom (name inspired by the dog of justin bennett, the sound technician that mixed the album) are creations produced during long reharsals sessions that have taken place mostly during sunsets and late nights. there torakiki inmersed themselves in a trip where the music achievable with their own finger was tested, rejecting in advance any programming. the overall sound of the album follow the path of the previous ep, halfway between the new wave and ambient. the band aims references from aphex twin, liars, jamie xx and on the other side, classical sounds from the italian song. in the album participate the voice of ilaria ippolito (# #pap ) and of gulia olivari (o.a.u.). the video of luxard was shot by giovanni aloi in a park in hong kong.
torakiki filled the pieces of avesom with a strong dynamic identity, combining the creative impulses of the three minds and their respective backgrounds. this is a process that questions the logic through a frenetic impulse that provokes constant changes, even though the final result are attainable and catchy songs.

catalogue number pp018 has been work in progress for quite a while now. wind-s originally appeared in a slightly different version as part of the soundtrack to one of rohtheaters plays. the track features all the typical obalski elements we have grown so fond of in the past. dreamy pads and odd melodies create the sort of ambient that carries you away somewhere else (bravo!). we decided that it would be interesting to hear other artists take their turn on the material. the japanese duo mascaras (chida & 5ive) transformed wind-s in an atmospheric drum workout. fantastically incorporating the breezy synth elements of the original into their flow of percussion. press play lift off. the b-side gives space to nick höppners epic techno groove. ecstasy evolving progress.

following on from anethas ophiuchus ep last year, work them records founder spencer parker has compiled a remix package featuring himself and french techno stalwart antigone. a key component in the thriving parisian techno scene, anetha is a resident at monthly party series blocaus. spencer reworks drive with a dead girl, incorporating punchy kicks and shuffling hats before the originals mesmerising arpeggios come into effect. on the other hand antigone distorts black widow beyond recognition by blending fuzzy atmospherics with a cavernous 808 and glitchy hook. concluding the release is a bonus track from anetha herself titled traces to nowhere with its gloomy pads and squelchy melodies.

filling the night with scars, the new release by our mainstay g&#322,ós marks the second installment on the ravage white series label. at the core of this release, g&#322,ós seems to build bridges between his ambient side on one hand and his thumping club music side on the other hand. especially the a-side covers the clubbier rhythmic vibe whilst the b-side conveys the more emotional vibe. like in the title track, he builds slowly and smoothly but he stays very precise in which acidic sounds come and fade. with this release, he finds a balance between the nostalgic anthem-like euphoria and a more darker and deeper narrative.

hey, do you remember how much dance music owes to experiment and coincidence????? quirky 7 release from lutto lento is kind of danceable but also raw and harsh, maybe hypnotic? first track sounds like a dark twisted fantasy about carnival in some cheap tropical spa. the other one will reach your guts and throw them upside down. hell yeah.

invisible, inc now brings the aptly named spacerocks into the fold with the release of a 6- track ep that comes storming in from the outer reaches of a galaxy light years away (or just decades past?) into the earpiece of your unwashed spacesuit. it s hard to pinpoint what genre this actually fits into but if you imagine vapourspace s gravitational arch of 10 as interpreted by vangelis with drum programming by nitzer ebb you d be getting reasonably close. other influences may well include cluster, conrad schnitzler, chris & cosey to name a few, while comparisons can be made to contemporaries like solyst, musiccargo, barnt and secret circuit. spacerocks is a solo offshoot project from higamos hogamos main man steve webster (also fort lauderdale, the black neon, memphis industries, dc recordings). the project sees steve ditch his band and strip things down to his modular, vintage and custom-built synthesizer set up alongside equally rare and vintage analogue drum machines, sequencers and fx units.

the sixth release from hong kong/tokyo label palms & charms sees the return of barnaby bruce, and starts with a tale of daring escape. hearing the approach of a loping synth, the protagonist checks the window: mysterious people are gathering outside his house! as a somewhat gallic groove emerges, he and his girlfriend are in his car and heading south, driven on by the swing of the percussion. will he find his deliverance on the continent? next up, ruf dug steps in with a spacious electronic reggae-esque remix, leading up to a killer piano line which pushes the groove straight onto the autoroute. ces t magnifique. on the b-side, our erstwhile fugitive and partner awake by the side of a country road in southern france. a baguette, a bottle of wine and the sound of chattering insects. oh, for the cicadas! as they head ever further south, they begin to reflect on what other worlds await them at journey s end. on the car radio a band plays a curious but driving blend of disco and percussion, with a distinctly house-influenced melody. cette musique les deplace. was it all just a crazy dream? grab your suitcase, head to the coast and pick up a copy of this limited edition record to find out...

what ever not is the variegated music outlet from experienced dodi palese and dan mela, italian djs and producers supporting, selling, playing and releasing instrumental and dance music for two decades. what ever not tenth record, ‘galegos bar / the ritual’, sees a split release signed by dan mela and marco erroi. label co-founder dan mela inaugurates a new moniker ‘man dela’ for ‘the ritual’ - the original track gets remixed by anton zap, with whom mela already collaborated for a digital release on his own ethereal sound. flipping on the other side, marco erroi, head of common series ltd, continues his production career with ‘xxxv gold fingers’ for the ‘galegos bar’ side – one of the many different aliases he personifies - also contributing by realizing the artwork. ‘galegos bar / the ritual’ offers two sides of the same coin and we can have both things with one stroke. the common denominator is the ethnical ritual. it is fully expressed in the man dela side with deep and hypnotic ride out turned upside down by anton zap with a dynamic electronic waltz. the same item, however, is magically hidden in the xxxv gold fingers side, where we can find it in the form of drink beer and play cards just like in most terrible bars in south of italy.

it started as an event series by re.you where he invites other appreciated djs to share the decks with him - so far he had younion nights with &me, tiefschwarz, anja schneider or adana twins. now heis transferring the >re.you invites< concept to a label idea. he invites his favorite artists to release with him on his new imprint >younion< - for the very first edition he signed terranova, who gained a lot of attention with their lps on kompakt - furthermore he is releasing a newcomer duo from berlin called eins tiefer who already released on upon.you records and last but not least re.you himself is delivering a track for the first ep.

redefine is the second single taken from trentemøllers new album fixion and features marie fisker on vocals. marie fisker, a mainstay of the trentemøller live constellation, has also been a long-time studio collaborator of anders and her four songs on fixion mark their third musical partnership. marie has such a powerful and unique voice that fits my music quite naturally. i had her in mind as soon as i started writing. she ended up singing on four of the songs so shes definitely the voice that kind of leads you through the album. having toured so extensively with marie, we ve come to understand each others capacities and that really pushes us to challenge and inspire each other. i reckon thats the driving force behind our songwriting.

jacks house recordingslaunched by long serving island resident dj and producer clara da costa, is a new label born out of ibiza, which also boasts a successful weekly prime time live radio show that focuses mainly on exclusives and vinyl releases, broadcasted on the award winning ibiza sonica. jacks house also hosts parties at the worlds most famous club, space for carl cox. this first release comes from the talented and well respected, alex arnout from dogmatik records. alex has had numerous releases over the years on many other respected labels such as one records and the fuse imprint. he is also known for launching, nurturing and finding good talent. this 4 track ep fully demonstrates alexs versatility in the studio by offering 4 distinctive quality productions which can only be described as true house, and underground house music, made with integrity

nice price deal !!! metrobox teams up with max cue.. klangmodule with konsonanz results in a beautifull detroit-esque track with visible roots of belgian soil. the fcl (san soda and red d) remix is the other living proof that detroit used to exchange artists back in the 90s. its back!

nice price deal !!! spam chop, more sensibly known as lukas cole, has been a long serving proprietor of wonky, complex and intricate music, or as mary anne hobbs described it when she showcased his music on radio 1, rude boy techno. as head honcho of the aurally inspiring and visually sumptuous wigflex label, club night and clothing line, lukas has been pushing other peoples tunes on vinyl for over five years now. so, the ever-timely collective at mimm have decided enough is enough and its about time the left-of-centre techno producer brought his own tunes to the table.

past releases - crosstown rebels, one records, leftroom limited and ffrr party affiliations - circoloco, flying circus, luciano & friends into you aka achille soardi, the italian producer and artist, born in the beloved lake garda region, connects with the dancefloor through his undeniable and fresh talents. as a young artist achille grew up on punk rock and hip hop from the us but soon found his love for techno, a genre which he would later dj at parties across france and italy, alongside ltz sound system amongst various other crews

downfall theory embarks on a new chapter as it hosts a full release from a producer other than its owner, sanys. myztical isn’t exactly a newcomer though, and the ukrainian producer has already two releases to his credit on nicz records. given the title of his debut on downfall theory, it is no surprise to learn that myztical is using it as a means to question reality. inspired by the science fiction writer philip k dick and decades of electronic music, he certainly succeeds on venturing into uncharted territories on the title track. muffled, repetitive vocal samples, an atonal rhythm and relentless, slightly distorted kicks show that quite often, simplicity is the most potent ingredient. on “faith of our fathers”, myztical disappears farther down the wormhole. splintered rhythms, deranged howls and a deranged filter push his vision for broken beat techno into the abyss. “substance d” sees the ukrainian hotshot return to a more linear approach, pounding kicks underpin ghostly shrieks before a breakdown sees the track descend into grimy, woody mcbride-style acid. the accompanying vocal sample, the embodiment of a bad trip, only serves to accentuate the track’s darkly hallucinogenic qualities. finally, there’s “shifted realities” - it revisits the jagged filters of “faith of our fathers”, but does so against the backdrop of a pounding industrial kick and a grungy, low-slung rhythm.

nice price deal !!! the corestyle story continues... with forsaken is dead (known from his waking the tyrants device ep on corestyle last year, besides his various other productions for labels like meta4, industrial strength, six feet underground or hard kryptic) and cap (hard kryptic) we have two of the az hardcore junkies here. the a-side is represented by cap and starts with the title track this is not a war, a hard industrial uptempo pounder which is yet still atmospheric. the b-side offers 2 collaborations between cap and forsaken is dead. repeating patterns is rather techno-influenced whereas the second track, pulling strings (forsaken is dead remix) starts with a mystic intro and turns into a grooving and driving monster.

played by monsieur cedric (serie limitee), jason hodges, vorres (vrrs)
the house crime label debuts with this pearl of an ep by the new and exciting talents of steven bc and vrrs. the duo come through dangerously correct with their first release, and -functionz- is an instant hit, one of those tunes that has managed to find the perfect balance between drums and bass, melodies and vocals - a true old-school a-side for the heads. on the flip, -utukmylife (on the dancefloor)- is more speed garage than house, and the two producers pack another mean punch with this total banger, -house will remember-, on the other hand, is a real piece of chicago magic, a classic us house anthem with a rolling pile of drums, a huge swarm of bass and the right level of tape distortion. excellent

black repress -- the next release on subject detroit is the result of two techno titans joining forces. label head dj bone presents a subject detroit first, a split-release with none other than the mighty deetron. the two have been fans of each other s work for many years so this seemed like a most logical idea.

nice price deal !!! the seventh release of klangfarbe schallplatten comes with two powerful tracks of the label manager, producer and dj?team tandem, including a wonderful remix by no other than stephan lieb, aka mri (the head behind resopal). mri has been behind and upfront on a variety of dancemusic’s most-cherished productions and he is also in charge with doing the whole upcoming ep (kla08), which will also contain a tandem remix vice versa

after the success of the first release, hund records is coming back with a huge ep from a new young rising star of electronic music: jerome.c. already supported by tini, robert dietz, enzo siragusa, loquace, seb zito and more all around the world. jerome gives us two dub tracks with a little flow on raw and alongside there are a remix from dan farserelli from the famous fuse london crew that hasn’t need presentation, and max j & coockies, two other talented belgian guys.

adroit recordings is pleased to present the first ep from the famous nordstern club resident artist, gomorra. already appeared a while ago on be as one imprint from shlomi aber, and other labels. he offer four original tracks with a defined and underground sound.

he -shaker plates label is returning with the 6th release of their sub label rüttelplatten”. the spanish producers eddy romero & inaki cerqueira are trying to catch people on the dancefloor as well as the regular listeners of modern electronic dance music. with -primera- and -bass- the young label is moving ahead with two deep tech house smashers for all sound systems. label owner gunman did the remix for -primera- and sascha wallus from hannover contributed his interpretation for -bass-. but these guys are just a part of the rüttelplatten” family, with some other members already awaiting their turn to shine.

nice price deal !!! 2 tracker with alland’s version on one side and tres manos’ version on the other. this release offers a sound that is 100 percent american, with the originality of alland’s, always techy, gastric bass and the hard-hitting pressure of tres manos’ version, that is sure to leave more than a few people surprised with this dark sided rendition that is reminiscent of some ur classics

nice price deal !!! after several releases on saw, moon harbour, audio therapy and lots of other globals, presslaboys deliver their first ep on our cologne based imprint yellow tail. both tracks runners monkey and snobshit start to roll instantly from the first second on

- having talked to marc houle over some years now about getting a wave inspired tracks from him, we’ve finally worked it out. and what a record it is, two terrific original tracks, backed with two divers reworks by some other favourites, red axes & the go

nice price deal !!!

eliptic is nothing but... passion. the first release of bucharest s based label, comes with two great pieces. on a side, julian s track is pure madness, with a groovy bass-line, subtle percussion and crazy effects, just perfect for a good dance. on side b, fengda s track is a trip from the beginning to the end, with a mysterious atmosphere, growing an intense journey for a taste of freedom. two different musical perspectives that completes each other in a 12 vinyl, that you can t miss.

nice price deal !!! 4/4 bass drive. the second release of the label bomjbar consists of two tracks. it excels the first one in its obsession, efficacy and energy. advanced daddy contains a part of percussion bass, which accompanies the whole composition. a hard skeleton and high-pitch cry run through your body, especially when there is a high sound. hoboken hollow is softer, but only at the first sight. the composition consists of some parts, which mutually complement each other and it is necessary to listen it overall in order to understand it.

andrzej nowak is a polish early computer music composer who never found proper place in official contemporary music world. tracks produced between 1987 and 1994 as a score for never screened animation movies (the producer didn’t like them). lines of simple sounds, interrupted by primitive electronic trumpet and other fake instruments. are you sure it’s a film score? what was the thing that producer didn’t like? weird harmonies or too much rhythm?

belgian producer alix depauw is probably best known for his long-running association with shogun audio, where he started out making drum & bass and eventually moved towards halftime and other sounds inspired by soul and r&b. he’s also collaborated on experimental bass music with eprom under the name shades. the first ep on his new 1985 music imprint, elephant dreams, is a four-tracker from depauw himself and reportedly marks a return to his drum & bass roots. it also features two collaborations with skeptical.

nice price deal !!! here comes the second release of orioni records, another compilation of argentinian artists. espen lauritzen makes his way on with >1724<, hardened 909 rhythms together a filtered 303 bassline in his own abstract way results in a banging and effective weapon, creating an hypnotic feeling into the dance-floor. b2 is for farceb with >enki<, smashing broken beats, fm synthesis and sharp 909 hi-hats and beats, using a stronger drum workout within. an impressive masterpiece digging deep into the groove. in the other side, >everything transforms< by pulse one, who presents an aggressive killer track with repetitive hard synth sequences, but it also comes with lot of tweaks on the analog synthesis and different types of pitches, modulations and filters for a mental feeling. closing the album, zedje delivers >restore<, full of obscure rhythm treatments, massive kick drums and shuffled 909 hi-hats and rides, different types of drones and complex analog synthesizers around the modular step sequences get together to bring you this massive peace of a track. classy. keep an eye on this new project, orioni, is here to stay.

the first place the world heard the lead track from this new love notes from brooklyn release, where pathways meet, was on deep house legend mike huckaby s my life with the wave show volume 2. pascal viscardi was one of many great artists to take huckaby s warm tones and turn them into a work of art. pathways. wriggles with deep funk and soul, and is paired with 3 other likeminded tracks for this very well-rounded ep. oshakusan is the dancefloor track, juxtaposing warm chords and an insistent sax sample over the a tough bassline and rhythm combination that s aimed staight at the floor. free at dawn is the fathoms deep effort, going miles below the surface in a emotional expression of soul, and and i showed the clouds (how to cover up a clear blue sky) provides a perfect outtro, and end to the statement made, making this ep feel truly complete.

timmy ps latest outing on dessous recordings continues the long list of illustrious labels that have been home to his house vision. now based in london, timmy has a string of emphatic releases under his belt, not least on influential imprints such as local talk, extended play, dirt crew and madtech. with safety first, timmys playful approach to the deeper side of house shines though. the title track mixes crisp, crunchy drums with warm, soft pads and a bubbling bass line - a deep rolling cut with plenty of punch for the floor. the fantastically named grim fandango is a little tougher, with the snares and claps snapping tightly over a taut, un-resistible vibe. timmys balance of dynamics is masterful, each element perfectly complimenting each other to create a tour de force over 8 minutes. bosh is similarly crafted - the original echoing classic 90s house but feeling completely fresh for 2016, while james dexters remix is a robust, deep roller. this is house music made with joy and passion.

after some remix projects and a lot of work on their new live set, the next original mix from saitezwei will be released as digital and vinyl release. also for this project, the two guys cooperatedwith the label tach & nacht from hamburg. the song is a mixture of deep and tech house elements with driving drum structures, saite zwei typical harmonies and a lot of variety. despite complex melodies and heavy chords, the entire ep has become very clubby and danceable this time. among other songs, the release will contain a remix of -morja-. the b side comes with an original track by morja called -reborn-. less melody, more groove could be the topic in comparison to his former releases. coming with a tight set of percussion and a phat forward driving bassline, reborn surprises with some contrary played organ sounds adding even more thrust and energy to the tune. definitely a track to remember. the side gets completed by an interpretation of saite zweis -nighting ale-.

norse deity of the discotheque, prins thomas, and knight of the giegling realm, edward, are the first in line to remix sepalcures sophomore album folding time. prins charming applies his renowned diskomiks touch to lead single fight for us, rubbing the sun-kissed r&b of the original into an extended dance-floor affair, all strut, slap and tickle. edward, on the other hand, takes loosen up and screams rave! over ten minutes of blockrocking beats that evolve into a gilded climax of laser beams and melodic euphoria.

one of the most accomplished and celebrated bands in the field of contemporary, unclassified pop music. almamegretta are masters in combining a wide range of elements such as dub, funk, reggae, world and electronica, all filtered through their own deep southern italian roots. the band from naples is now back with a new album, mixed by the dub master adrian sherwood, who had already been involved in their mid-nineties masterpiece “sanacore”. this new work consists of ten tracks, nine originals plus a well chosen cover of an old neapolitan hit by nino d’angelo transformed into a lovers rock style song. almamegretta’s original line up of gennaro t tesone, paolo polcari and raiz is augmented by a great list of collaborators and the result is a strong and multi layered set made of afro-funk numbers, reggae ballads, and other riddims, while the british dub influence remains central within the group’s wide sound palette. the title “ennenne”, which means no name, is inspired by the acronym used for those who are born from unknown parents. the right title for such a highly dense picture based on the combination of contemporary sounds and social topics.
file next to: massive attack, on-u sound, dub syndicate, tricky

berlin-based marlon hoffstadt drops coach mike, the fourth ep on his own retrograde imprint, featuring remixes from massimiliano pagliara and the friend and following a hat trick of successful releases. the four-track ep is the sophomore release from hoffstadt on his burgeoning label, which he co-founded with natureboy gold and matteo luis in august 2015. previously featuring the likes of kris wadsworth and tuff city kids, retrograde provides a platform for the artists to explore music alongside other forms of expression such as art, particularly surrealism.

four new loose and beautiful metropolitan house grooves from prolific nyc producer j albert aka jio albert whose mantra (as always) is to keep it simple, and of course, keep it strictly j! in addition to the grime beats he’s been releasing on soundcloud under the dj osom alias, jio has also explored other genres with a recent black opal release and a 12inch on his own exotic dance records imprint. strictly j, though is his scruffy take classic house on zones more into the hot music-soho vibes. characterized by busy percussion, off-kilter downtown beats, stops and starts, scattered breaks, and weirdly breezy melodies, these tracks are roomy def down for the summer. interestingly enough, i was subletting jios room last summer in ridgewood, queens and was sitting next to him as he made some of these tracks while i worked my tech support job. he was listening to a lot of buddy rich, bill evans, and jeremy steig at the time.

oddball space disco tracks compiled from library tracks composed between 1975 and 1978. big tip!! from the early 70s to the mid-80s, this self-taught musician composed about twenty albums of production and library music with generic cover art and titles (out of the way, magical ring, keys of the future, pulsations, more and more, etc.) that evoke interstellar travel. these experimental discs, made with love, humility and rudimentary means, had no ambition other than to accompany other peoples images. by exhuming these obscurities from the dustbin of history, born bad have decided otherwise. archaeologists with an agenda, they seek to give jean pierre decerf the renown he deserves: that of an innovator whose rhythmic, synthetic compositions inspired the harbingers of the french touch (air comes to mind), not to mention some east coast rappers.

the next release on subject detroit is the result of two techno titans joining forces. label head dj bone presents a subject detroit first, a split-release with none other than the mighty deetron. the two have been fans of each other s work for many years so this seemed like a most logical idea.

born in sao paulo to a deeply religious family, laercio has been around music all his life - amidst the challenges of daily life, his adventist parents would whip out all sorts of instruments whenever the situation would allow it, introducing a young and curious mind to a wide range of musical expressions. it should come as no surprise, then, that our hero quickly felt at home with notes and bars, choosing the flute as his first weapon of choice which he eagerly studied from the age of seven. even later non-musical career choices always reflected an infatuation with the world of sounds, like his stint as a capoeira teacher, combining martial arts, acrobatics and dance. with such a multi-faceted background in music, the inevitable tinkering with synthesizers and other means of electronic sound generation was rather a question of time than one of ambition, and sure enough we find laercio roaming the parties of the mid-noughties, absorbing the unique melange of styles and scales that inform club culture to this day. in stark contrast to most other rave inductees at the time, however, he never wanted to become a dj: his area of expertise is the performance, not the collecting and curating of other people s releases, and it shows in the unusual fact that laercio has held club residencies as a live electronic musician in venues like sao paulo s the edge without ever so much as touching a record. in these release l_cio has worked with d.o.c. mastermind gui boratto. and the result is music for the dancefloor.

pathos essential dreams is just the beginning of a unique and beautiful musical trip in the heart of the aegean sea. during the summer of 2016 the decks of pathos lounge bar will host some of the world’s leading djs alongside its resident for this year, straight from buddha bar dubai, glass coffee. surrender to the pleasures of nature, embrace the sea, the sun, the wind and relax with a soothing drink against the backdrop of the aegean. in other words welcome to pathos!

nolan the ninja is a throwback in many regards. in an era where many are just thrust into the realm of music without having gone through a proper stretch of artistic development, nolan has been through the gauntlet and honed his abilities to the razors edge over the past few years. nolans debut ep -fck the hype-dropped on left of center and attracted praise from 2dopeboyz, huffington post, pigeons & planes, egotripland, urb, watchloud, respect and numerous other outlets. after eye opening live appearances on dj eclipse s halftime show and tony touch s toca tuesdays shade 45 show it was clear the world needed a full length album from him.

a year after his debut album viaggi, amsterdam based italian marco antonio spaventi is back with another fine full length statement. entitled -isola sommersa and landing on m>o>s recordings, it follows up after many great eps on the label over the last five years. spaventi has a passion for old school house but always brings it up to date. using hardware tools like a natural extension of his body, he cooks up rugged grooves, nostalgic moods and smoky atmospheres that cocoon you in sound of its own. as well as releasing on other labels like slow motion, secretsundaze, pizzico records and cos mos, he is also an acclaimed production wizard and runs his own professional studio.

our second release from deeptrax, features jupiter jax from malta. a deep 4 story ep containing real detroit vibes, pushing carl craig, dan curtin and kenny larkin sounds, beamed into today s world. starting melancholic with lush sounds and firm beats, then slowly building into piano heaven. the other tracks are deep ethereal technoid trax with lush, conscious sounds and stomping beats, which is pushing the label into deeper, broader territories. very limited edition, greatly analogue mastered by thee j johanz of irdial fame

young producer from amiens, duns scott first fell in love with rock and post rock. it’s after coming across the music of boards of canada, aphex twin and other warp artists, that he starts delving into the many subgenres of electronic music. eventually, he becomes a proper record digger of jazz, funk and disco, which will deeply affect his music writing. neidio is the outcome of a mixture of influences, each tune with its own idio yncratic sound and story. timelanding was drafted as if a real studio session with actual musicians was happening, the jazz vocal samples try to instate the synergy of musicians interacting with each other. neij is the imaginary soundtrack of a dream inspired by the art cover of the ep. mixed by duns scott / masterized by sven weisemann.